Types of Poetic Forms


  • Formula Poems
A formula poem is a poem in which every line is begun in the same way or a   particular kind of word in every line is inserted; a poem that employs repetition, i.e. a stylistic device that is more effective for young poets than rhyme. Formula poems may include:

(1) “I Wish …. “ poems
(2) Color poems
(3) Five-senses poems
(4) “If I Were … poems
(5) “I Used to …, But Now…” poems
(6) “….. Is” poems
(7) Preposition poems

Example (Five-Senses Poem)
                        Being Heartbroken
Sounds like thunder and lightning
Looks like a carrot going through a blender
Tastes like sour milk
Feels like a splinter in your finger
Smells like a dead fish
It must be horrible

  • Free-Form Poems
Free-form poems are poems in which words are chosen to describe something and put together to express a thought or tell a story, without concern for rhyme or other arrangements. The number of words per line and the use of punctuation vary. Free-form poems may include:

(1) Concrete poems (words, phrases, sentences written in the shape of  an object)
(2) Found poems (culling words from other sources: songs, articles, stories)

Example (Found Poem)

                        Fast Moving
Moving down the track,
faster than fast, is Richard Petty
seven-time winner of
the crowned jewel
Daytona 500.
At 210 mph– dangerous-
pushing his engine to the limit.
Other NASCARs running fast
but Richard Petty takes the lead
at last.
Running across the line
with good time.

  • Syllable- and Word-Count Poems
Syllable- and word-count poems are poems that provide a certain structure consisting certain syllables or words. Syllable- and word-count poems may include:

(1) Haiku (17 syllables arranged in three lines, 5, 7, and 5 => nature)
(2) Tanka (31 syllables arranged in five lines, 5-7-5-7-7 => nature)
(3) Cinquain (22 syllables arranged in five lines, 2-4-6-8-2 => something, story)
(4) Diamante (seven-line contrast poem written in a shape of a diamond)

Example (Diamante)

BABY
wrinkled tiny
crying wetting sleeping
rattles diapers money house
caring working loving
smart helpful
ADULT

  • Rhymed Verse Forms
Rhymed Verse Forms are forms of poems that utilize both rhyme and rhythm as their poetic devices. These include:

(1) Limerick (5 lines, 1st, 2nd, 5th lines rhyme; 3rd, 4th rhyme  rhyme scheme: a-a-b-b-a; last line contains a funny, surprising ending)
(2) Clerihews (4 lines describing historical figures, characters of stories; rhyme scheme: a-b-a-b)

Example (Limerick)

There once was a frog named Pete
Who did nothing but sit and eat
He examined each fly
With so careful an eye
And then said, “You’re dead meat.”

  • Model Poems
Model poems are poems that are modeled on poems composed by  
adult/renown poets. Model poems include:

(1) Apologies (Model of William Carlos Williams’s “This is Just to Say”)
(2) Invitations (Model of Shakespeare’s “Come Unto These Yellow Sands”)
(3) Prayers from the Ark (Model of Carmen Bernos de Gasztold’s “Prayers
      from the Ark”)
(4) If I were in Charge of the World (Judith Viorst’s “If I Were in Charge of the
 World”)

Example (Invitation)

                                        The Golden Shore
Come unto the golden shore
Where days are filled with laughter,
And nights filled with whispering winds.
Where sunflowers and sun
Are filled with love.
Come take my hand
As we walk into the sun.

For more poetic forms: http://www.poetryfoundation.org/learning/glossary-terms?category=forms-and-types

Poetry: Under the Same Sun Analysis


UNDER THE SAME SUN
By: Scorpions

I saw the morning
It was shattered by a gun
Heard a scream, saw him fall, no one cried
I saw a mother
She was praying for her son
Bring him back, let him live, don’t let him die

Do you ever ask yourself
Is there a heaven in the sky
Why cant we get it right

cause we all live under the same sun
We all walk under the same moon
Then why, why cant we live as one

I saw the evening
Fading shadows one by one
We watch the lamb, lay down to the sacrifice
I saw the children
The children of the sun
How they wept, how they bled, how they died

Do you ever ask yourself
Is there a heaven in the sky
Why can’t we stop the fight

cause we all live under the same sun
We all walk under the same moon
Then why, why can’t we live as one

Sometimes I think I’m going mad
Were loosing all we had and no one seems to care
But in my heart it doesn’t change
We’ve got to rearrange and bring our world some love
And does it really matter
If there’s a heaven up above
We sure could use some love

cause we all live under the same sun
We all walk under the same moon
Then why, why can’t we live as one
cause we all live under the same sky
We all look up at the same stars
then why, tell me why can’t we live as one

Background and setting of the song
In 1993 Scorpions released Face the Heat.  The album was a hit, propelled in large part by the massive success of the ballad "under the same sun". The song muses on the socio-political changes that were occurring in Eastern Europe and in other parts of the world at the end of the Cold War.

Theme of the song
The song is talking about war, why can’t we stop the war? Why can’t we live in peace and harmony?
The first stanza describes the situation of war which ruins the morning peace, the victims of the war, and parent who loss their son because he is forced to go to a battle. Moreover, the reference shows a kind of protest against the situation, why must there be a war if we basically have a same destiny and fate; we all live under the same sun and we all walk under the same moon.

Symbols
There are some symbols can be found in the song, the first, the word “the morning” in the first stanza in line one. Based on the following sentence it can be meant youths whose future is ruined by the war, they are forced to fight in combat. Moreover, it is also can be meant the beginning of day which is full of hope, also in the morning, the sun rises, the animals start to sing, all the activities of creatures on the surface of earth begins.

The second symbols can be found in the fourth stanza in line one, the word “evening” supported by the following sentence means the old generation whose hope was fading because it  was taken cruelly by the war.

The third symbol is the word “lamb” in the fourth stanza line three. It can be interpreted that lamb refers to innocent people or children who were sacrificed vainly during the war.

The fourth symbol is the phrase “children of the sun” in the fourth stanza line four refers to the young generation who carries the future of a nation, even the world. However, they had been the victim of the war. “How they wept, how they bled, how they died”, from this statement we can infer that the war not only adverse the nation who fight against each other but also ruin the future of the world by murdering children who will make a change in the future.

Poetic Devices
a. Stanza of the song
The first, fourth, and last stanza are categorized into sestet since it has six lines in one stanza; while the second, third, fifth, and sixth are included into triplet; and septet in the seventh stanza.

b. Repetition
The repetition of word can be found in first and forth stanza in line one and three, “I saw…” , the second case of repetition is sentence repetition which can be found in the second and fifth stanza in line one “Do you ever ask yourself Is there a heaven in the sky” and the last is the reference of the song in the third and sixth stanza “cause we all live under the same sun We all walk under the same moon Then why, why cant we live as one”

c. figures of speech
• Most of the content of the song in the form of irony like we can see in:
Cause we all live under the same sun
We all walk under the same moon
Then why, why can’t we live as one
cause we all live under the same sky
We all look up at the same stars
then why, tell me why can’t we live as one

Poetry: Imagery


Imagery is something happening in the poetry that can create imagination related our five senses. In the application the writer, to arise those imagination, uses figure of speeches, or also sometimes uses direct expressions which can trigger the reader's mind to imagine such kinds of situation that the writer intends to say. Below are the example of imagery analysis.

THE NEGRO SPEAKS OF RIVERS
I’ve known rivers:
I’ve known rivers ancient as the world
And older than of the flow of human blood in human veins

My soul has grown deep like the rivers

I bathed in Euphrates when dawns were young
I built my hut near the Congo and it lulled to sleep
I looked upon the Nile and raised the pyramids above it
I heard the singing of Mississippi when Abe Lincoln 
went down to New Orleans
and I’ve seen its muddy bosom turn all golden in the sunset
I’ve known rivers
Ancient dusky rivers
My soul has grown deep like the rivers   
  
 Analysis:
This poem is like weaving –design in which the poet has woven together some threads of history of some threads from the geography of the world. In the design, the rivers weave in and out with all the people who live and work on the shores. The people, in time, all pass into ancient history, but the great rivers continue to flow along. And the soul of Negro people continue to grow-deeper and deeper, like the rivers they are so closely connected within their history.

Imageries
1. “I’ve known rivers ancient as the world and older than of the flow of human blood in human veins” In this first stanza, in line 2 and 3 represent hyperbole.
The sentence is exaggerated.
2. “My soul has grown deep like the rivers” In line 4 shows simile.
There is a word like in that sentence by comparing between the negro’s soul and the river.
3. “I heard the singing of Mississippi” In the second stanza, line 4 indicates personification.
Since thing, Mississippi (river), can sing like human.

DIRGE FOR A SOLDIER
Close his eyes; his work is done!             (imagery of feeling)
What to him is friend or foeman
Rise of moon, or set of sun,     (imagery of seeing)
Hand of man, or kiss of woman?   (imagery of touching)
Lay him low, lay him low,
In the clover or the snow! 
What cares he? He cannot know:
Lay him low!

As man may, he fought his fight,
Proved his truth by his endeavor;
Let him sleep in solemn night,
Sleep forever and forever
Lay him low, lay him low,
In the clover or the snow! 
What cares he? He cannot know:
Lay him low!

Fold him in his country’s stars, 
Roll the drum and fire the volley! (imagery of hearing and seeing)
What to him are all our wars,
What but death be mocking folly
Lay him low, lay him low,
In the clover or the snow! 
What cares he? He cannot know:
Lay him low!

Leave him to God’s watching eye, (imagery of feeling)
Trust him to the hand that made him,
Mortal love woops idly by:
God alone has power to aid him
Lay him low, lay him low,
In the clover or the snow! 
What cares he? He cannot know:
Lay him low!

_ George Henry Boker

Allegory

Allegory which comes from Greek, allos means other and agoreuein that means to speak in public, is figurative mode of representation conveying a meaning other than literal meaning. Allegory is one of ways that the writer may use to express what he or she actually wants to convey through his or her literary work. This kind of literary work that is written in the form of allegory, the writer usually wants to convey indirectly what he or she usually means, a writer camouflage what he or she actually wants to express that the literary work cannot be understood by reading its surface language but it must be deeper meaning below the surface. That is why allegory is often defined as a story or visual image with a second distinct meaning partially hidden behind its literal or visible meaning. An allegory is a work which has meaning behind the surface meaning”. In other word with the same point, allegory as a literary statement presenting its meaning in a veiled way; the literal meaning is a metaphor for the real meaning. It means that allegory, in short, is simply one thing consistently being presented in the guise of something else.

An allegory is a narrative in which the agents and action, and sometimes the setting as well, are contrived both to make coherent sense on “literal” or primary level of signification, and also to signify a second, correlated order of agents, concepts, and events. Allegory is also a narrative that serves as an extended metaphor. It may be written in the form of fables, parables, poems, stories, and almost any other style or genre. The main purpose of an allegory is to tell a story that has characters, a setting, as well as other types of symbols that have both literal and figurative meanings. But, allegory differs from symbolism. The difference between an allegory and a symbol is that an allegory is a complete narrative that conveys abstract ideas to get a point across, while a symbol is a representation of an idea or concept that is able to have a different meaning throughout a literary work. Furthermore, although both of them have the meaning behind the surface meaning, but in symbolism is exclusive and cannot be translated into other word. In allegory is otherwise that we can state confidently what the precise meaning is that lies behind the surface, because we are meant to see through the text to its underlying significance.

Allegory, in literature, is symbolic story that serves as a disguised representation for meanings other than those indicated on the surface. In addition, allegory in literature is the representation of a subject under the guise of another suggestively similar. In written narrative, allegory involves a continuous parallel between two or more levels of meaning in a story, so that its persons and events correspond to their equivalents in a system of ideas or a chain of events external to the tale. In the other word, the characters in an allegory often have no individual personality, but are embodiment of moral qualities and other abstractions. For example, Bunyan’s Pilgrims Progress (1678) is more than just an account of the hero’s adventure; because of his name, Christian, and because of the nature of his experience, it is recognized that the text as having a more general significance as an allegory of Christian’s journey through life. That is why allegory is generally treated as a figure of rhetoric, but an allegory does not have to be expressed in language. Medieval thinking accepted allegory as having a reality underlying any rhetorical or fictional uses. The allegory was as true as superficial facts of surface appearances.(*_*)

Poetry Analysis: Content Elements



DESERT MOON (by Dr. Antoinette Voget)

Desert moon, moon of Carthage and Nineveh,                                              
I stand in your shadow, oh desert moon, as your wind.
I am Egypt. I am Carthage. I am Sumeria and Mesopotamia.
A divine mother of the desert am I and its hidden fire.
I am Tanit. I am Isis. I am Ishtar. I am Innana.                                              5
I am the voice of the gods in the thirsty earth.
I speak in wind and in fire and in rain and in drought.
I stand in the shadow of the wind and in your shadow, oh
Desert moon, and bring rain to the desert wind.
I am the moon of the desert, a Shekinah of God.                                            10
In the womb of the desert am I as the matrix of all.
I am in the Tigris and in the Euphrates and in the Nile.
Bone and sinew parched earth,
I am in the parched, thirsty desert and in the bleached sinews
Of the earth.                                                                                                    15
Before the Sphinx was, I was.
Before Egypt and Sumeria, I was.
The wind is my shadow and also the moon.
All life comes from my eternal womb, and I shall always and
Forever be the light of the desert moon.                                                          20

a. Theme
The theme of the poem above is about ancient religious or mysticism. The ancient religious or mysticism of the poem in Middle East is the religious of ancient era of Egypt, Sumeria, Mesopotamia (located between Eufrat and Tigris rivers and known as Republic of Iraq) and other places around them. The religious theme described by the used-words or phrases of the poem such as: A divine mother of the desert, Tanit, Isis, Ishtar, Innana, voice of the gods, and Shekinah of God.
The words Tanit, Isis, Ishtar, Innana are the names of god in ancient civilization.
1.      Tanit was a Phoenician lunar goddess, worshiped as the patron/shepherds goddess at Carthage where from the fifth century BCE onwards her name is associated with that of Ball Hammon and she is given the epithet pene baal ("face of Baal") and the title rabat, the female form of rab (chief).
2.      Isis was a goddess in Ancient Egyptian religious beliefs, whose worship spread throughout the Greco-Roman world. She was worshipped as the ideal mother and wife, patron of nature and magic; friend of slaves, sinners, artisans, the downtrodden, as well as listening to the prayers of the wealthy, maidens, aristocrats and rulers. Isis is the Goddess of motherhood and fertility.
3.      Ishtar is the Assyrian and Babylonian counterpart to the Sumerian Inanna and to the cognate northwest Semitic goddess Astarte. Ishtar is a goddess of fertility, love, and war and sex. In the Babylonian pantheon, she "was the divine personification of the planet Venus".
4.      Inanna is the Sumerian goddess of sexual love, fertility, and warfare. Alternative Sumerian names include Innin, Ennin, Ninnin, Ninni, Ninanna, Ninnar, Innina, Ennina, Irnina, Innini, Nana and Nin, commonly derived from an earlier Nin-ana "lady of the sky". Her Akkadian counterpart is Ishtar. Inanna is the goddess of love and is one of the Sumerian war deities, who was seen swaggering around the streets of her home town, dragging young men out of the taverns to have sex with her. Despite her association with mating and fertility of humans and animals, Inanna was not a mother goddess, though she is associated with childbirth in certain myths. Inanna was also associated with rain and storms and with the planet Venus. She is always depicted with a shaved public region.

b. Atmosphere
In general, the poem above talks about religion or myth of human being in ancient middle-east. The poem expresses impliedly that in ancient era and before it, people believe to gods. For example: Isthar, Iris, Innana, Tanit, and etc. 

c. Imagery
From the words used in the poem, the imagery of the poem is natural. The poem used some natural phenomena or reference such as; desert, moon, wind, earth, thirsty, rain, fire, and dry. The imagery of the poem is to describe that God is for all human beings in the world.

d. Figurative Language
The figurative languages that used commonly of the poem are:
1.      Metaphor
Some lines of the poem above show metaphor because there are comparisons between two different things without using the comparison words such as: like, as. The lines that show metaphor are: I am Egypt. I am Carthage. I am Sumeria and Mesopotamia. A divine mother of the desert am I and its hidden fire (I am divine mother of the desert and its hidden fire), I am Tanit. I am Isis. I am Ishtar. I am Innana, I am the voice of the gods in the thirsty earth, I am the moon of the desert, a Shekinah of God, I am in the Tigris and in the Euphrates and in the Nile, I am in the parched, thirsty desert and in the bleached sinews, The wind is my shadow and also the moon, and I shall always and forever be the light of the desert moon. In this case, the word I compare with Egypt, Carthage, Sumeria, Mesopotamia, divine mother of the desert, Tanit, Isis, Ishtar, Innana, voice of the gods in the thirsty earth, the moon of the desert, Tigris, Euphrates, Nile, thirsty desert and light of the desert moon. Other comparisons are found in the poem that are words wind and the moon compared with my shadow.
2.      Simile
Simile is a direct comparison between two things using words ‘like’ or ‘as’. Some lines of the poem that show simile are: I stand in your shadow, oh desert moon, as your wind. In the womb of the desert am I as the matrix of all. The word desert moon compares directly using ‘as’ with your wind, and the word I compares directly using ‘as’ with the matrix of all.
3.      Hyperbole
The exaggeration or overstatements also found in the poem. The exaggeration is hyperbole. The line or data that shows the exaggeration or overstatement of the poem is: I stand in your shadow, I speak in wind and in fire and in rain and in drought, and I stand in the shadow of the wind and in your shadow. The line stand in your shadow, speak in wind, in fire, in rain, in drought, stand in the shadow of the wind, and stand in your shadow are exaggeration. So, these are hyperbole.
4.      Symbol
Symbol is something which represents something else besides itself. In a poem, symbol included as metaphor because symbol represents or compares something with to other thing without using ‘as’ or ‘like’. In symbol there is indirect comparison. Some symbols that found in the poem above are: moon, light, fire. In the poem the words moon symbolize God, light symbolize love, mercy and enlightenment, and fire symbolize faith, belief and spirit. 

e. Message/Moral
After reading, classifying, and comprehending the poem above, it was found a message that is the message of the poem stated in the two end lines of poems that are: All life comes from my eternal womb, and I shall always and, Forever be the light of the desert moon. The two lines show that people who believe to God must be light of the desert moon. It means that religious people must live in peace and respect to other religious people. Be the light of your heart; be light of your religion, so, the world will be saved and live in peace. Every belief is right.
Based on the example of comprehending poems above, the students can comprehend the poems from the rhyme, figure of speech, imagery, atmosphere, theme, and message or moral. In this case, the students should be given some questions related to the poems and its elements in order to know their comprehension of poems. The questions function to guide easily the students in finding whatever exists in a poem.

Basic Versification of Poetry (Part 2)


poetry illustration
Rhyme
Rhyme in poetry refers to the identity of sound at the ends of lines.

l  Perfect rhyme vs. half-rhyme
Perfect rhyme occurs when the stressed vowels following differing consonants sounds are identical.
Half-rhyme occurs when the final consonant sounds are identical


e.g.
Thou still unravish’d bride of quietness,
Thou foster- child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly then our rhyme:

Note:   The green italic words are the examples of half-rhyme
             The red italic words are the examples of perfect rhyme

 l  Masculine vs. feminine
Masculine: when the final syllables are stressed.
e.g. inquired-desired

Feminine: when the final syllables are unstressed
e.g. flowers – bowers

Internal rhyme: the rhyming words found within the line.
e.g.
the splendor falls on the castle walls
The long light shakes across the lakes

Rhyme scheme: the pattern of rhyme in a poem or stanza
e.g. 
a-b-a-b, b-a-b-a, etc.
At daybreak on the hill they stood
That overlooked the moor,
And thence they saw the bridge of wood,
A furlong from their door.

Alliteration (initial rhyme): The same sound starts several words.
e.g.
Far winter’s rains and ruins are over,
And all day the season of snows and sins;
The day dividing lover and lover,
The light and loses, the night that wins.

l  Assonance vs. consonance
Assonance: the use of identical vowel sounds surrounded by different kinds of consonant sounds
e.g. bird - thirst

Consonance: the use of different vowel sounds surrounded by same kinds of consonant sounds.
e.g. wood-weed

Blank verse: unrhymed iambic pentameter
e.g.
. . . and when I have required
Some heavenly music (which even now I do)
To work mine end upon their senses that
This airy charm is for, I'll break my staff
Bury it certain fathoms in the sea,
And deeper than did ever plummet sound
I'll drown my book.

(William Shakespeare, The Tempest, 1611)

Free verse: Rhymed or unrhymed poetry composed without attention to conventional rules of meter.
e.g.
I love the way I feel today
But how I know the sun will fade
Darker days seem to be
What will always live in me
But still I run
It's hard to walk this path alone
Hard to know which way to go
Will I ever save this day
Will it ever change

Stanzaic Forms
q  Couplet: Two successive lines of verse that form a single unit because they rhyme
q  Triplet/ tercet: stanza composed three lines.
q  Quatrain: stanza composed four lines.
q  Sestet: stanza composed six lines.
q  Rhyme royal: stanza composed seven lines.
q  Octave: stanza composed eight lines.
q  Sonnet: stanza composed fourteen lines.

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Basic Versification of Poetry (Part 1)


Rhythm in poetry refers to the patterns of repeated sounds.
e.g.
Born to a throne, stronger than Rome
But Violent prone, poor people zone

Note: The italic words are the examples of rhythm

Feet: In accentual-syllabic versification the basic unit of measurement is known as the foot. The foot consists of one accented syllable accompanied by one or two unaccented syllables.

How to determine the feet in a line?
  1. Determine how many syllables are there in the line;
  2. Read naturally the sentence (in reading there must be stressed and unstressed syllables, these will be used to determine the kind of feet possesed by the line).
e.g.
e.g. feet 








Kinds of Feet
  •    Iambic: 1 unaccented followed by 1 accented
e.g.
e.g. iambic





  •  Trochaic: 1 accented followed by 1 unaccented
e.g.
e.g. trochaic


  • Dactylic: 1 accented followed by 2 unaccented
e.g.
e.g. dactylic


  • Anapestic: 2 unaccented followed by 1 accented
e.g. 



  • Spondaic: 2 unaccented
e.g.
     


Metrical lines
l  Metric: the art or study of using meter/ syllabic pattern in poetry;
l  After discovering the pattern of the feet, the next step is to determine the meter;
l  To know the meter, just count how many patterns are in the line and put one of the name of line below after the name of the pattern.


e.g.






  • The sentence is called iambic, since it has pattern one unstressed followed by one stressed;
  • It has four feet, so that the meter is tetrameter;
  • So the name of the above line is iambic tetrameter.
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The Nature of Poetry

The nature of poetry is always problematic and mysterious. Poets, readers, critics, and scholars define poetry based on their own definitions. However, the common conception that is used to refer to the poetry is that, form of literature, spoken or written, that emphasizes rhythm, other intricate patterns of sound and imagery, and the many possible ways that words can suggest meaning. The word itself derives from a Greek word, poesis, meaning “making” or “creating.” Whereas ordinary speech and writing, called prose, are organized in sentences and paragraphs, poetry in its simplest definition is organized in units called lines as well as in sentences, and often in stanzas, which are the paragraphs of poetry. The way a line of poetry is structured can be considered a kind of garment that shapes and clothes the thought within it. The oldest and most longstanding genres for classifying poetry are epic, a long narrative poem centered around a national hero, and lyric, a short poem expressing intense emotion.

Poetry is like other literary works such as prose and drama, it also has its own structures, purposes, languages and general characteristics. Commonly, poetry written in verse in which consists of lines and stanza. According to Reaske (1966) at least poetry also contains of sounds devices such as rhyme, rhythm, repetition, meter, and onomatopoeia and speech of language such as simile, metaphor, hyperbole, and personification. All of the elements of parts of poetry can be used to find information or ideas in comprehending and appreciating it. The readers can start to analyze poetry or poem from poetic devices, types, sound devices, structural devices and all aspects of poetry that can be analyzed. 

Based on some definitions above, it cannot be concluded that poetry has particular definition. When readers analyzed or appreciated poetry is not focused on the definition. The essence of poetry remains elusive and open to a range of definitions. The more important things of comprehending and appreciating the poetry are what the contents of poetry. Schakel and Ridl, (1997:12) state that reading poetry differs from reading a newspaper or a memo and a book. Reading poetry is a process of finding particular information, ideas, experiences, message, values and themes for pleasure or serious analysis. Poems also lead the readers feel intensely, to experiences deeply, and often to extend our understanding of experiences different from the readers’ experience or to affirm own ideas and experiences of the readers.
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